THEATER REVIEW: ‘Wait Until Dark’ at Great Lakes Theater by Laura Kennelly

Great Lakes Theater Wait Until Dark By Frederick Knott Directed by Joseph Hanreddy Photo by Roger Mastroianni

Though Sun 3/12

Feeling helpless? Imagine the plight of Susy Hendrix, blind and trapped in a room with a murderous drug dealer. That’s just one plot turn in Wait Until Dark, an engaging thriller staged by Great Lakes Theater at PlayhouseSquare’s Hanna Theatre.

Director Joseph Hanreddy keeps the pace swift and the atmosphere menacing as newlywed-just-back- from-a-Quebec honeymoon Hendrix (a convincingly “blind” but very trusting Jodi Dominick) slowly begins to realize that she’s not safe in her Greenwich Village basement apartment. It seems that Susy and her husband Sam (an earnest Jonathan Dyrud) had agreed to help a strange woman they met in Canada take a doll to a sick child in a New York City hospital. Shortly after they get home, the doll disappears. (This plot device worked in 1966, but I hope we all know by now never to agree to “help out” by taking packages across borders after hearing a good story from strangers.)

The first-rate cast includes Elisa Pakiela as the bratty Gloria who lives upstairs, Arthur Hanket as the enigmatic Harry Roat, Nick Steen as “sympathetic friend” Mike Talman, and David Anthony Smith as “Sgt. Carlino.” Roat, Steen and Smith also assume other roles. Laura Welsh Berg and Lynn Robert Berg play the late-arriving  and somewhat puzzled police

Highlights? Dominick and Hanket tumble around persuasively in the final scene, both fighting for their lives as the blind Susy becomes more desperate to find a way to take advantage of her disadvantage. A tense scene, where the audience (something I’m glad about) has a better view of what’s going on than the cast does, was created by lighting designer Rick Martin. Robert Westley skillfully choreographed their encounter. Set designer Scott Bradley convincingly fashioned all the rooms needed without scene changes.

I would have liked the sound effects to have better reflected Susy’s reliance on her sense of hearing. It was hard to believe characters could come and go up the stairs to the entrance without her hearing them, though she did observe that one man’s footsteps sounded just like his father’s. Perhaps exaggerated door clicks (that door never seemed to shut right) and other sounds could have emphasized that her world was dark, but her ears were keen.

To say more would spoil the fun, but if you must know the plot, just consult wiki at Wait Until Dark. Warning: It’s a lot more fun if you don’t.

BOTTOM LINE: Fast action in dark and confined spaces in a well-played old-fashioned thriller.

Wait Until Dark runs through March 12, 2017. For tickets go to or call 216-241-6000.

Cleveland, OH 44115


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