Through Sun 11/24
A perfect fit? Yes, indeed, Kinky Boots at Baldwin Wallace University shows how much joy (and maybe enlightenment) a musical can bring.
This youthful and vigorous (and sold out) collegiate premiere, directed by Victoria Bussert, with Gregory Daniels as choreographer and Matthew Webb as music director, is true to the original Broadway hit, written by Harvey Fierstein with music and lyrics by Cyndi Lauper. It’s a pop musical with a real heart.
Set in Great Britain, Kinky Boots is partly about saving a family factory in an increasingly competitive market. It’s not that the shoes are poorly made, it’s that they are too well-made and competition from overseas factories (not in the USA) has driven down the price and cheapened the product.
And it’s also about (and the main idea driving the action) learning to accept people for who they are. (Don’t try to “fix” people.)
The four leading roles were double-cast. I saw the opening night for both. The youthful leads brought a fresh energy to the show that the two national tour versions at Playhouse Square lacked. Cast members for both shows made each incarnation of their characters unique, even though they used the same words and sang the same original songs from the Broadway version. (I know, that’s called acting, but the vibe was refreshing.)
Both Charlie H. Ray and Andrew Faria as the hapless Charlie Price were likeable and earnest. When Charlie suddenly inherits the factory he must either dispose of or save, he learns how to run the family business (a chore he’d been avoiding). He also meets factory worker Lauren (played by Kailey Boyle and Sydney Howard). Both Laurens were quietly desperate, perky, and funny in their attempts not to fall for Charlie. They do perfect justice to one of the best numbers in the show, Lauren’s comic anthem, “The History of Wrong Guys.”
As Nicola, Charlie’s bossy fiancée who pushes him to sell the building for a condominium development, Nadina Hassan and Caroline Didelot reveal both Nicola’s glamour and her icy, self-interested heart.
Things look bad for the Price Shoe Factory until Charlie accidentally runs into Lola, a person he thinks needs rescuing. But what he has really come across is his own rescue. When drag queen Lola’s heel breaks, an inspired Charlie realizes that cross-dressing men who dance in high heels need strongly built shoes in big sizes. Boom! A niche market!
Nick Drake’s Lola rocked the Lauper pop tunes and then stunned us with a velvety, luxurious, “Hold Me in Your Heart.” Also comfortable with the outgoing personality of Diva Lola, Gordia Hayes showed great comic timing, especially in the big fight scene (“In This Corner”) with Ethan Rogers’ “tough” factory worker Don. Both nights Lola’s team of six dancing “Angels” (Lee Price, Mateus Cardoso, Nick Cortazzo, Kyle Elliott, Nic Hermick and Charles Miller) showed plenty of flair as they moved gracefully in fancy gowns and high heels.
One highlight (among many) in the show came when Roger’s Don (brawny and a bit dense), Pat (an appealing Eden Mau), Lola and others in the ensemble have fine fun with Don’s idea of “What a Woman Wants.”
Education of another kind came when cute Little Charlie Price (Colin Willett) and precious Young Lola (Isaiah Young) were shown getting very different “lessons” from their fathers. Charlie’s dad (Ben Senneff) and Lola’s dad (Anthony Harris, Jr.) loved their boys, but couldn’t understand their life choices (as is often the case with parents and children).
Overall, wow! Choreographer Daniels and the cast presented stunningly executed dance numbers, some featuring over two dozen performers, others with smaller ensembles. The set designed by Jordan Janota and the costumes by Charlotte Yetman brought real Broadway flair to the show.
Bottom Line: An outstanding delight that matches Broadway productions. Latest word is that Kinky Boots tickets are sold out, but it would be worth checking.
[Written by Laura Kennelly]
Lakewood, OH 44107
One Response to “THEATER REVIEW: “Kinky Boots” @ Baldwin Wallace by Laura Kennelly”
William Milau
Likable and earnest are such blah words for such great performances by Ray and Faria.
I’d say there were extremely talented portrayals of the characters and their songs, rival
to the shows at Playhouse Sq. .