MUSIC REVIEW: Mavin Staples Honors @ Playhouse Square by Jordan Davis

Photos by Jinni Fontana

Fri 9/20

It was just fifteen seconds into the first riff, and the entire State Theatre was feeling the groove. And the lead singer hadn’t even opened her mouth yet. Mavis Staples’ backing band, just three guys, led by guitarist Rick Holmstrom, had set up a smooth, tasteful and funky cruise that seemed to be spun out of thin air, and the magic didn’t stop for two hours.

The mesmerizing Staples held court without intermission, a little giddy to be receiving the new Rock Hall Honors award, presented by Rock and Roll Hall of Fame executive director Greg Harris. Her band, with two backup singers, was spare and tasty, the audio mix was perfect, and she easily settled into emotional versions of many of her best-loved songs and choice covers, (including the civil rights anthem “Freedom’s Highway,” “I’ll Take You There,” “Respect Yourself,” and “Slippery People”).

By the end of the show, three generations of musicians had joined her onstage to pay tribute. Taylor Goldsmith lent a solid guitar lead to “For What It’s Worth.” Jackson Browne eased right in on “We Get By,” the Ben Harper-penned title song of Staples’ latest album. And Valerie June arrived to chime in on “Livin’ on a High Note,” the song she wrote for Mavis’s 2016 album. All of the aforementioned returned to deliver the rousing finale number, “The Weight,” with Mavis shouting to the rafters like there was no tomorrow. (But in fact she had a busy tomorrow — see below)!

Born to a musical and religious family, Mavis Staples began singing as a professional in 1950, at age eleven. First at church (of course!), then in a decades-long run with the Staples Singers, the family band formed and led by her entrepreneurial father. “Pops” Staples needed just an electric guitar and his three singing children to capture the hearts of audiences and sell records along the way. Pops led the band with a steady hand and gentle integrity — first as a gospel group in the 1950s, then moving easily into the newly minted genre called soul music in the 1960s. They effortlessly folded in the rock and pop flavors of the day. The group appeared at many protest marches, and their reputation soared when they began recording on the Stax/Volt label.

Mavis gained attention as an outspoken woman in a field controlled by men, and gradually established herself as a solo recording artist scoring hits on many charts and with multiple labels. She’s recorded and shared the stage with so many of the greats of her generation — Bob Dylan, Ray Charles, Paul McCartney, The Band, Curtis Mayfield, to name only a few — beacuse she is one of the greats of her generation. And “the kids” (Prince, John Scofield, Jeff Tweedy, Patty Griffin, Natalie Merchant) also clamor to play with her. Her appeal crosses all styles and genres, and her voice has been heavily sampled as well.

Today, at age 80, this diminutive gal with a voice that can bring down the house is widely celebrated not only as a gifted vocalist but as a touchstone of authenticity and a reminder that honesty, trust and even a little old-time religion can serve a body well in this lifetime. Staples is a multiple Grammy winner and has enough other accolades to fill a small museum. She still lives in her native Chicago, but she is in high demand and tours regularly.

In Cleveland, the Rock and Roll Hall of Fame and Museum feted Staples with a day-long educational symposium about her life and music at Case Western Reserve University, followed by the (more than) full-length performance on the State stage at Playhouse Square, followed by another full day of personal appearances at the Rock Hall itself. Then Staples swiftly boarded a private jet to take her to her next concert on that same night. She keeps a performance schedule that would leave someone half her age out of breath. The world can use a lot more of what Mavis Staples brings to the table. And she is still ready, willing and able to keep on bringing it.

[Written by Jordan Davis]

Cleveland, OH 44115

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